You can set vanishing points anywhere, even off the the artboard, and lines will snap to the grids as you work. Perspective grids will help you keep illustrations looking realistic when it's time to add depth. Lastly, Adobe is helping you keep your perspective correct with new guides. As always, vector brushes are infinitely scalable and can be combined with pixel brushes in the same Fresco file. Lines are still sharp, but there's variation in the stroke for a more naturally drawn look.

Vector brushes are already available in Fresco, but Adobe is expanding that library to include a new set with 'jitter.' Basically, these brushes will help you quickly give drawings texture. This will work if your reference layer is vector or pixels and keeps your original drawing intact.

Fresco will still recognize the lines on the original layer without applying edits to it. Once you set the reference layer, you can begin working on a separate layer for fills. When this feature arrives later this year, it should help speed up the process when you need to add color to line art. Next, the company is adding reference layers to Fresco. Adobe says you can also draw paths for objects to follow and the goal is to keep things simple so the concept of motion is approachable for all skill levels. The company explains that this allows you to assign specific movement to each element.

This gives artists and designers the option to add timelines and motion frames to individual layers. With the additions announced today at its annual Adobe Max design conference, the company gives its free-to-use drawing and painting app handy tools that expand how and what artists are able to create.įirst, Adobe is adding motion to Fresco. Last fall, the company expanded the app to iPhone, but this year the updates are much more robust.

Adobe Fresco has given artists and designers the ability to draw and paint with lifelike digital materials for two years now.

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